By Adam Blatner MD
Psychodrama might be probably the most robust instruments utilized in psychotherapy. Charmingly illustrated with a wealth of case examples, this quantity offers present education ideas and exhibits the right way to use them, even if as a supplement to conventional verbal ways, in person or staff treatment, in academic or neighborhood settings, or in lots of different contexts. completely up-to-date and multiplied, this 3rd variation studies the latest advancements in psychodrama concept, clarifies a variety of new psychodramatic strategies, and lines broad new references and an up-to-date bibliography. during this quantity, Dr. Blatner maintains to supply the simplest useful primer of uncomplicated psychodramatic thoughts.
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Extra resources for Acting-In: Practical Applications of Psychodramatic Methods, Third Edition
The double reinforces the protagonist's right to his feelings: "Dammit! " Questioning the self. " Contradicting the feelings. " Defending against the feelings. "), isolation ("I don't feel a thing"), projection ("I would never feel toward you the way you feel toward me"), displacement ("Dammit! "), and so forth. Self-observation. " Interpretation. The double must be very sensitive in his introduction of materials that are outside the protagonist's awareness. " Interpretation of carry-over to other relationships.
The group breaks into pairs. All participants are instructed to list on a piece of paper four qualities that they like about themselves and four qualities that they dislike. After the lists are made, the group members are instructed to exchange lists with their partners. All of the pairs conduct the exercise simultaneously as they The Double 39 sit around the room. One member of each pair starts off by reading the partner's list. After reading each item, such as, "I am overweight," the person reading the list goes on to describe how it might feel if this were their own personal quality.
Foreward. In R. Emunah, Acting for real: Drama therapy process, technique ami performance. New York: Brunner/Mazel. Corsini, R. J. (1966). Role playing in psychotherapy. Chicago: Aldine. Has annotated bibliography. Emunah, R. (1994). Acting for real. Drama therapy process and technique. New York: Brunner/Mazel. Enneis, J. M. (1952). Establishing a psychodrama program. Group Psychotherapy, 5(3), 111-119. Fox, Jonathan. (1994) Acts of sewice: Spontaneity, commitment, tradition in the nonscripted theatre.
Acting-In: Practical Applications of Psychodramatic Methods, Third Edition by Adam Blatner MD